and other failings at coding.
This is now in Stereo but the Delay is half as loud as the original sound. Maybe tomorrow I’ll look at having multiple repeats or something - I would have done it today but was Dancing with Gerry til 5am :/
~gate = Bus.audio(s, 2); ~delay = Bus.audio(s, 2); {Out.ar([0, 1], DelayN.ar(In.ar(~delay, 2), 5, 2, 0.5))}.play {Out.ar([0, 1, ~delay], In.ar(~gate, 2))}.play; {Out.ar(~gate, SoundIn.ar)}.play;
This now has a Delay effect added, providing a two second delay coming out of the Right Hand channel. Lovely.
~gate = Bus.audio(s, 2); ~delay = Bus.audio(s, 2); {Out.ar(1, DelayN.ar(In.ar(~delay, 2), 5, 2))}.play {Out.ar([0, ~delay], In.ar(~gate, 2))}.play; {Out.ar(~gate, SoundIn.ar)}.play;
Here is my submission for today. I just wanted to put MouseButton in where possible from previous days. It did make me wish MouseButton was MousePressed, so I don’t have to remember the difference from Processing, but now I have to use my memory. Boo!
( { {SinOsc.ar(LFNoise0.ar(MouseButton.kr(rand(5, 10), rand(0.2, 0.4), 5), 1000), 0, 0.2)}.play }.dup(20) )
#creativePact, look what I done found - a MouseButton ugen (I’d wanted one for ages, like in #Processing). Run the Code, move the mouse about and click for beautiful chordal movement!
( {SinOsc.ar(MouseButton.kr(220, 196, 1.5), 0, MouseX.kr(0.03, 0.07)) }.play; {SinOsc.ar(MouseButton.kr(277.2, 293.7, 1.5), 0, MouseX.kr(0.07, 0.03)) }.play; {SinOsc.ar(MouseButton.kr(329.6, 392.0, 1.5), 0, MouseY.kr(0.03, 0.07)) }.play; {SinOsc.ar(MouseButton.kr(440, 493.9, 1.5), 0, MouseY.kr(0.07, 0.03)) }.play; )
#creativePact, after my failings at pacting yesterday (due to the trip to the pub), I felt really guilty, so quickly changed the chordal panner from Day 7, so the corners still have 4 notes, rather than 2.
(
{SinOsc.ar(220, 0, MouseX.kr(0.02, 0.05)) }.play;
{SinOsc.ar(277.2, 0, MouseX.kr(0.05, 0.02)) }.play;
{SinOsc.ar(329.6, 0, MouseY.kr(0.02, 0.05)) }.play;
{SinOsc.ar(440, 0, MouseY.kr(0.05, 0.02)) }.play;
)
For today’s #creativePact I’m having a play with the phase of a wave, and how it creates Constructive and Destructive interference :
( {SinOsc.ar(MouseY.kr(220, 440), 0, 0.1) }.play; {SinOsc.ar(MouseY.kr(220, 440), MouseX.kr(0, 2pi), 0.1) }.play; )
This could also be done with four waves:
( {SinOsc.ar(220, 0, 0.05) }.play; {SinOsc.ar(220, MouseX.kr(0, 2pi), 0.05) }.play; {SinOsc.ar(220, 0, 0.05) }.play; {SinOsc.ar(220, MouseY.kr(0, 2pi), 0.05) }.play; )
But I also felt like making this rather lovely chordal note panner thing:
( {SinOsc.ar(220, 0, MouseX.kr(0, 0.05)) }.play; {SinOsc.ar(277.2, 0, MouseX.kr(0.05, 0)) }.play; {SinOsc.ar(329.6, 0, MouseY.kr(0, 0.05)) }.play; {SinOsc.ar(440, 0, MouseY.kr(0.05, 0)) }.play; )
Lovely A major. (I nearly had to type this into my Blackberry, but for the grace of the University Wireless)
#creativePact - because @Benjamin_Wall is distracting me with The Inbetweeners, I had no choice but to chuck in an extra envelope, and make do.
( { {SinOsc.ar(LFNoise0.ar([0.8, 10].rand, EnvGen.kr(Env.linen(2, 12, 8, 1000, -8)) ), 0, EnvGen.kr(Env.linen(1, 12, 8, 0.03, -8)) )}.play; }.dup(25); )
#creativePact - It’s a lazy sunday, so here is a lazy rehash of yesterday, it now has an envelope, which has its uses.
( { {SinOsc.ar(LFNoise0.ar(rand(0.8, 10), 1000), 0, EnvGen.kr(Env.linen(1, 8, 8, 0.02, -8)) )}.play }.dup(20) )
#creativePact, today I decided to go to Manchester and watch Indiana Jones & The Temple of Doom. In the world of Academia I would refer to this as ‘research’. After yesterday’s #creativePact being a rehash of the day before, I decided to come up with something new today, and it sounds beautiful ;) :
( { {SinOsc.ar(LFNoise0.ar(rand(0.8, 10), 1000), 0, 0.2)}.play }.dup(20) )
